I’m a Believer

What do you believe? About yourself? About your work?

I had a story accepted this month (October). This makes three in the past four months. Death at the Door was accepted into an anthology that I didn’t even submit for! Consider the Possibilities was accepted into a stand-alone digital short series that should be published in 2023. The Wish Artist was selected for an online magazine with a professional-level rate ($0.10 / word), my first ever fiction publication of such status. (I have had other writing pay me more, but that’s a different category altogether, so I’m not including it in the mental gymnastics involved here.)

And yet, even with that relatively successful few months (versus the past five years), I still find it hard to get excited about these acceptances.

One of my fellow writers asks me, whenever I’ve got something like this to announce, “And how are you going to celebrate?”

I struggle with celebration. I struggle to accept that my story has been selected, published, that I got paid for doing it. I mean, intellectually I know that that’s exactly why I’m submitting, rather than just writing and either keeping it to myself or publishing it on my own site, but, still, I don’t exactly feel like it’s real.

The spiral of negative, self-sabotaging thoughts goes something like this:

How are you going to celebrate?

Well, see, I can’t exactly celebrate yet, because though they accepted my story and I’ve signed the agreement, they haven’t given a publication date and haven’t paid me and haven’t offered any suggested edits or anything, so I’m still quite skeptical that it’s going to actually go through.

How are you going to celebrate?

Well, see, I don’t really know if I should, because it was in an anthology that like nobody is going to read, and it was such a token payment anyway that it doesn’t really mean anything, and it’s kind of hard to find anybody who’s going to care, so, it’s not really something to brag about.

How are you going to celebrate?

Uh, for this one, mostly by disbelieving that it’s real until it’s actually out on the interwebz, despite the fact that I’ve gotten a contract and had correspondence with the editor and been paid, and yeah, this one is a “professional” level rate so it’s harder to ignore, but still, I’m going to keep thinking less of myself until it’s really out there, and, even then, I know that celebration is going to be hard to come by, because celebration and self-promotion and “Hey, look what I did!” isn’t really my thing.

God, typing it all out is rather disheartening. It’s sad to see that I think so little of my achievements.

But it’s typical of my whole personality, not just in writing. I disbelieve my work in virtually any area where I pursue. For example: I recently ran a half-marathon. 13.1 miles, took me over 2 and a half hours, and when I finished I was hella proud of myself for going farther than I have in nearly a decade. But you know what one of my very quick follow-on thoughts was? “Oh, sure, but there were people who ran marathons that day, too! Your half isn’t really that special.”

It’s like there’s this part of my psyche that just doesn’t accept that I can have good things too.

Like, it’s all well and good for other people to be happy about new stories coming out or sold, but, for me, it’s really hard to do. [Yes, I’ve forced myself to do it some, but it’s just not a natural feeling like I somehow think it should be.]

So why don’t I believe it? Why do I still feel like I’ve not “arrived” or I’m not “worthy” or I’m actually just sort of “pretending” to be writing these things? (Or running, or getting a certain professional qualification, or whatever…)

Is it the fact that it’s been such a long road for me to get here, something like 38 years between my first story in 3rd grade and now? When other writers I’ve admired have had stories, poems, even whole books published at 17, 23, 30? Am I just jealous or petty? Maybe.

Is it the rather harsh rebuke I received from another well-established writer when I pitched him a collaboration and he basically told me to Fuck off, if that’s the way you think about writing, you’ll never be a writer? I admit, I did let that bother me for the first couple of months, but it was years ago now and the idea only pops up in my head like once a year, so that’s probably not it.

Is it the fact that I’ve spent my last two decades treating writing as a thing for me only, a hobby, a pastime, rather than a craft to be honed with feedback, as everyone says it must be, because everyone says it’s really hard to write a story and make it the best it can be, and I don’t like that editing process, I really just want to write a first draft, maybe tune up a few paragraphs in the second draft and get it out into the world, and because I am ignoring the rules of developing writing skill and just sort of hoping to luckbox into publication I’m kidding myself that my stuff is any good, and so when things like acceptances come along I feel like I’ve somehow tricked the editors into accepting my story?

Or is it possible that I’ve been so spurned by the historical pattern of rejections, so burned and so jaded and so expectant that it will simply be more of the same, that I don’t actually believe the acceptance? That I distrust that it’s real? That in my subconscious, I’m self-preservationally holding back my excitement at this positive development, so that when things return to “normal” I’m not so scarred by that future state of everyone hates everything all the time, why bother? Maybe. Hell, that’s probably the surface of a really deep insight my therapist ought to help me unpack.

Point is, I don’t know why I don’t believe it. But I do know that it’s a consistent tendency within myself to discount my accomplishments, because they’re somehow never enough. I probably have some kind of “achievement complex”. I once complained that I was going through my mid-life crisis pretty early, like before 40, and my mother commented, “Well, you’ve always been an over-achiever.” Like I couldn’t even wait until a normal time to disintegrate my life, I had to make it happen extra-soon. Ugh.

There’s no way I’m going to figure it out right now. Maybe not even in the next year, or five, or ten. By the time I’m dead? Probably. Fat lot of good a new mindset will do me then, eh?

So I guess the only thing left to do is, just keep doing it. Faking it. “Fake it till you make it,” right? Because in faking it, you trick your body and mind into understanding what it means to “make it”. And then, when you actually do it, you won’t be faking any longer. And your subconscious won’t have to be so damn skeptical all the time.

Right?


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These Five Little Words Launched Me Into My Mid-Life Crisis

note – this was originally published on the Trailhead Conference blog, which has since gone bye-bye. I subsequently published it on an also-bye-bye Medium.com page (link for teh googlez).

May, 2014. Interior, downtown Indianapolis branch of a large national bank. One personal banker seated across from me in a standard bank chair. One person, me, seated in my standard bank chair, listening to her speak.

The personal banker was, at best 26 years old. She had no clue what was happening in my life. She had no idea what had been transpiring the last six months, or the last six years. And because of that ignorance, what she said next devastated me.

She put her hands together, index fingers and thumbs touching, as if she were about to play a quick rhythm on a small drum. “So,” she said, and as she started to separate her hands (like Moses parting a bowl of soup), the next five words destroyed my life as I knew it and launched me full-blown into my “mid-life crisis”.

I have stated for the record my opinion that the term mid-life crisis is inappropriate, but since it’s still a fairly common term I’m going to continue to use it here. Plus we have the pejorative expectation that if you’re going through your mid-life crisis, that this is some kind of failure of your character. That you are somehow weak because you can’t stand up to the demands of life, and you’re seeking an easy way out.

Well, let me tell you, my mid-life crisis was certainly not a failure of my character. I don’t think anyone who saw me go through that would have said I was weak. That I had failed. That I had given up and was looking for a shortcut or a way out.

No, what happened to me was, essentially, a combination of multiple storms all hitting within a six-month period. And, to be honest, only one of those could be considered my fault.

I’ve said this before, and I’ll say it again. Your mid-life crisis happens to you, it does not happen because of you. Most often this is a period of searching, of introspection, of exploration, and usually they’re set off by some inciting incident. Mine lasted about two years, kicked off by four different major events all coming together in a pretty short time frame.

Within six months: my car died on the highway; my faith died in the pew; my career died in the cubicle; and my marriage died in a nursing home. I only noticed this was happening, though, when that personal banker spoke five short, simple words.

But…

Before I tell you what those words were…

Allow me to back up a little. I think it’s important you know some of what was going on at the time.

In the fall of 2013 I was 36 years old.

I’d been married for 14 years, and my wife and I had four children. I had a stable job at an insurance company, a reasonable group of friends at church, and some neighbors who knew a bit of what we were going through.

One cold Thursday evening in November, on the way home from work, I was driving down I-70 out of Indianapolis. My 1999 Toyota Corolla was flowing along like normal when, all of a sudden, it wasn’t. I managed to avoid getting squished by the passing 18-wheelers and get it off to the side of the road, and then to a gas station, through a clever system of keeping my foot on the accelerator just enough to keep the engine on, but not so much that I sped up and needed to hit the brakes, because every time I did that it stalled out again.

Five hours later, after a tow truck wait and a phone call to my mother-in-law to ask for an emergency run to take care of my kids, I got home with my never-to-run-again vehicle. For some guys, this could be the thing that starts them questioning, “Hey, what’s going on here?”

One of them might take a few days, decide that the repair would be worth more than the car, and just junk it. When he comes back from the dealership with an impractical new sports car, all the neighbors look at him funny. Classic symptom of the mid-life crisis, and the associated judgment, because all they see is indulgence.

What he was thinking, though, could have been just about anything. From “I’ve never had something that’s just for me” to “It’s my last chance before I have to get another minivan,” his thoughts could have been anywhere. Too bad we often judge those who are in the middle of this so quickly.

For me, it wasn’t that momentous on its own. But a flood was building, a silent accumulation of nature’s power that soon I would be unable to ignore. The car, though, was just the start. Strike one.

A couple of months later, around February of 2014,

I realized I wasn’t enjoying my work any longer. Sure, I was productive, as I needed to be. But I was also spending excessive amounts of time browsing the internet at work, doing side projects that made it “look” like I was working, and just getting the minimum done. I guess, since everyone essentially knew my home situation, they gave me some slack.

Yet as I looked to the future, I could see that my heart just wasn’t in it. I couldn’t imagine pushing spreadsheets and databases for the next 30 years. It wasn’t in me to just keep doing a job for that long, and then retire to say, “Now what?”

It would be another year before I actually quit, but that intervening time I was actually dead in the office, just walking around and doing enough to not get fired. Strike two.

A few weeks after that, all of my spiritual questions began to come to a head. I’d been dealing with these issues for nearly a year, ever since God made a promise that did not come true, and I finally could not accept the absolutism, the short-sightedness, the irrationality, and the hypocrisy of my church any longer.

It’s not like there were any big scandals. (Those are often inciting incidents in and of themselves.) It was just that I started to see that for many of the congregants, their professed faith and their actions did not jive.

I saw countless instances of prayer for “a miracle” healing for someone who, frankly, would have been better off dead. And if, as they said they believed, that the home of the soul was in Heaven, why in Hell would they be striving so hard to keep such a soul imprisoned in this sinful, cursed, pained body? It didn’t make sense. That, and dozens of other questions and concerns came together to make me finally say, “You know, I don’t know whether there really is a God or not.”

When I could finally call myself an agnostic, that signified the death of my faith.

Strike three.

Unfortunately, I was so oblivious to it all that I didn’t yet see the writing on the wall. I ignored the incredible tidal wave of change looming, and I continued to push on harder and harder in the things I was doing, to make it seem like I was “okay”.

Finally, in May of 2014, the dam burst.

That young, naïve personal banker put her hands together and spread them apart. “So,” she said, and that was all right. Nothing wrong with that. “If you’re separating your finances…”

And the bell tolled for my marriage.

One more flashback may be in order.

In March of 2013, my wife was admitted to a rehabilitation facility, in order to supplement the stem cell treatment she’d recently received in India. She was having neurological degeneration, causing balance problems, emotional problems, and keeping her from caring for herself. We had spent two months in India for the treatment, and had been home for a month with little progress. The thought was, go live in the rehab facility and get help daily, to get back on track.

Eight months later, without any progress to show for the time, it was necessary to have her admitted to Medicaid, so we didn’t have to exhaust my financial resources to pay for her care.

After admission, the State of Indiana gives you 6 months to get the Medicaid recipient’s name off of all the accounts. Which I did, leading to me in a Bank of America office downtown Indianapolis. I explained the situation, and what I was doing, and how I needed new accounts that were just me and not joint accounts any longer. She said, “So, if you’re separating your finances-” and I didn’t hear a word after that.

I didn’t cry, then, but that was the moment that I lost my marriage. It was at that point that I realized we were separated. As much as I’d tried to fight it, as much as I’d denied the fact that we hadn’t had any kind of relationship for over a year, my marriage was done. We were separated, physically, emotionally, spiritually, and, now, financially. My marriage had died in that nursing home, and I had only just realized it while sitting in a bank.

Strike four.

Four momentous, life-changing, potentially tragic events 

that, yeah, reasonably would make one stand up and ask, “What in the world am I doing here? What does this mean for me? Where do I go? How do I move forward, when everything that I used to know just keeps changing on me?”

With all of those things coming at me, who’s to say that I was weak? That I was a poor judge of character? That I was at fault for any of that? Perhaps you can perhaps blame the religion thing on me. Maybe I didn’t have enough faith. But isn’t that just a demonstration of actual faith, that it’s not something imparted upon a soul, but it is an actual article of belief, that you choose to believe or not? And if I was finding more information that contradicted my original belief, do I not owe it to myself to at least consider that maybe my beliefs are wrong, and that I would do well to reconsider?

So… that’s how I came to my mid-life crisis. My journey out from that bottom took about two years. Lots of introspection. Lots of crying in the car, questioning and yelling and singing silly songs because I just didn’t know what else to do. Lots of long walks by myself, talking to myself, talking to the voices in my head, talking to the geese on the side of the path. Did those things make me weak? Did those things make me a bad person?

No.

And they are not for any other person who’s going through similar, or even very different, circumstances. There’s a real good reason why, even without major inciting incidents, that a mid-life crisis happens to good people, even if your car is still running and your faith is still flowing and your job is still reasonable and your marriage is still intact.

For the rest of us? Those who had some big “F you” from the universe that kicked us out of our comfort zones? We know better. We know we were actually doing a lot. We know we were sometimes doing much, much more than those who looked down their noses at us for being weak or self-indulgent. We know that we knew better than they did just what, exactly, was going on inside our own heads. And our results afterwards showed.

Experience. Transformation. Growth. We did these things and we came out of our mid-life crises set up for great things in the future.

It turns out this post was not about my mid-life crisis at all.

I’ve said that mine was all four of those things falling apart all at once, but, really, it’s probably more the two years that came after that were the crisis itself. Those events were just instigators.

And the straw that broke the camel’s back was, after all, really simple. Just 5 little words: “If you’re separating your finances.”

Be careful with your words, friends. You never know when they’ll have the power to change lives.

I don’t have space here for a full discussion of all that went on in my head (and in my house) over those subsequent months, but I probably will write about that in the future. For now, though, I just have a couple of take-aways.

For someone going through it right now: Keep going. You are the only one who knows everything that’s going on. And, yeah, it probably feels like you’re inadequate to the task, and that you are an impostor, and that you really just wish everyone else would shut up about it and let you get on with your life. You’re right. They should. But they’re probably not going to, so you’ll just continue on faking it, hoping to outlast the crisis as it blows itself out. You can do it.

And for those who are watching someone go through it, whether that be a family member, friend, or co-worker: Cut them a little slack, please. Let’s not pretend like you have any clue what’s going on inside that head, or inside their house, or inside their church, or inside their body. Let’s also stop with the hollow attempts at encouragements like “I can’t imagine what you’re going through! You must be so strong!” You’re right, you can’t imagine it. And I, while I’m in it, don’t feel that strong. I mostly feel like a fake, and if I really let down my guard and showed you the terrible thoughts inside my head, I imagine you’d run away screaming.

So let’s stop with the empty gestures, huh? Just be real, and give people some space and time to explore. You might not like where they’re going, but, hey, you don’t have to live their lives.

To get what you want, you have to stop wanting

You don’t get what you “want”. You get what you work for.

Magic lamp from the story of Aladdin with Genie appearing in blue smoke concept for wishing, luck and magic

A friend once said, “It’s not real unless it’s on the calendar.” 

For a long time, I “wanted” to do stand-up comedy. I would see the people on Comedy Central or late-night TV, and laugh, and think, “Hey, I’ve got some good jokes. I bet I could get a laugh or two.”

But then, I’d never do anything about it.

For years, I “wanted” to write good stories. But did I? Nope. Oh, sure, I wrote stories, but did I make them good? Did I get critiques? Did I revise and refine? Did I study the craft of plot, and characterization, and setting?

Nah, I just wrote whatever came out, and called it “good enough”.

For a long time, I didn’t really “want” to be an actuary. But I passed exams, participated in ethics trainings, completed monthly deliverables, cashed my paychecks, etc.

I was a hell of a lot more actuary than I was stand-up comic or writer.

So what’s the difference? It’s all in what you’re willing to work for.

See, when you “want” to be successful, or when you “want” to go to Italy, or when you “want” to someday do stand-up comedy, you’ve already achieved the goal. Your brain calls the “wanting” good enough and doesn’t worry about following through.

Mindset and deadlines give you something to work for.

With the stand-up comedy thing, I didn’t really have a deadline. Until I heard that there was an open mic at a bar on a night I was already planning to be at. So I put it on the calendar – I said, “I’m going to be at that open mic and I’m going to try my jokes!”

When it became I will instead of I want, it was real, and then it actually happened. I told a few jokes, got a few laughs, and I’ve done it a handful of times since.

The big difference was, there was something on the calendar. There was a real, concrete date with real, concrete expectations. And there was a change in how I talked to myself.

When it was Someday I want to do open mic, my brain did its standard shortcut thing and decided that I’d already achieved the goal. 

When it was Next Wednesday, I will be on that stage, my brain couldn’t ignore the reality staring it in the face. While my subconscious produced tons of doubts and fears that were trying to get me out of being vulnerable, my conscious mind said “You don’t have control in this situation,” and did the thing anyway.

The thing is, you never get anywhere by wanting something. You can only make change by doing something.

Lots of people want to be a world traveler. Or in a healthy relationship. Or a successful CEO. But they don’t actually do the things that would get them to that place. Again, I think it’s because when we think of ourselves as wanting things, our brains assume that wanting is the end goal and don’t see a need for more effort.

Instead, what if you thought in terms of “I’m becoming a…”?

I’m becoming a world traveler. My next trip is to Italy in the summer. Wouldn’t that constantly remind your brain that you’ve got to book the ticket, get the passport, buy the new luggage, save for the plane trip, and hit the gym?

I’m becoming a stand-up comic. I’m searching for open mic nights within an hour from me. Wouldn’t this demonstrate just how much opportunity there is, give you incentive to talk to the others after the show, and actually do something with that Twitter handle you registered years ago?

I’m becoming a newscaster. Wouldn’t this lead you to practice in front of your mirror nights and weekends, write and rewrite your copy, and make the LinkedIn connections you need in order to get the entry-level producing job that leads to the field reporting job that leads to the weekend desk job which leads to the 6 PM anchor position?

Nobody every got where they wanted to go just by wanting to go there. They actually worked for it. That’s the big difference.

Me? I don’t “want” to be a successful author. I am, however, becoming one.

So, stop wanting. Start becoming.

On Writing Practice

How to think about writing practice:

Yes, but why practice? (October 16, 2021)

The expectation is, or perhaps the assumption is, that once you’re good at something, you no longer need to practice in order to develop or refine the skills, in the same way as when you are learning. Sure, there is a reality to that, a recognition that drop-steps have become natural for the wrestler, that starts have become natural for the sprinter, that the G-7 major chord has become second nature for the pianist, that the sales lady no longer needs to worry how to close the deal, because she’s been doing it so long – so well – so flawlessly.

But the idea of not practicing [illegible] will be refuted by every professional, in every [illegible] industry, at every point. I heard an anecdote from a pianist, about practicing every day. Why not? he said. “If I miss a day, I can tell. If I miss two days, my wife can tell. And if I miss three days, the audience can tell.” What top tier actor would no longer rehearse lines? What politician would just assume that their presentation / speech / debate would go off without a hitch, exactly as planned, requiring zero need for alternatives or adjustments or preparations for pivots to a different focus?

So why practice? Who do writing practice, if I already know how to write? Why do this if nobody will ever see it? Why pursue? Why attempt? Why push forever and ever against incurring the wrath of fatigued brain, bored mind, exhaustion, spiteful muscles fighting me? Why do the same thing over and over and over, filling page after page after page, emptying pen after pen after pen, checking off mark after mark after mark, understanding so little of what I’ve scrawled, making no new ideas, seeing no advancement of my portfolio, spending no time making something for them (whoever they may be), and doing something that, to the outside observer would appear nothing more than a complete waste of time time?

Because.

Because I like it. Because I love it. Because it is exploration as much as it is preparation. It is a cleansing, a renewal and refreshment of me.

Yes,. there is a sense of duty here. Duty to the muse. Duty to myself and the promises I made, the challenge I accepted. More, though, there is a big, great, ‘Fuck you’ to all those who say something must be commercible to be viable. Screw that. Nobody’s going to see this. Good. So I write.

I write for me. I write for my old self, ten, twenty, thirty years ago, who had much to say but no audience. He held [illegible] ideas inside, and now they come out. Well done.

I write for my future self, a month from now, a year, ten, twenty, when I will look back at this time, this moment, and be proud of myself. Proud that I did not give into the minimalist thinking, proud that I did not [illegible] myself to a dollar amount. Proud that I did what I enjoyed; what I appreciated. Proud that I lived.

Proud that I made art – Good, great, shitty, awesome, awe-inspiring, mundane, existentialist, traditional, cutting-edge art.

And that is why I practice.

Writing practice – 9/12/2020

What keeps coming to my mind is

What keeps coming to my mind is that day – that one special, glorious, magical, mystical day in which you both took me to the heights of ecstasy and dashed my heart at the bottom of the highest cliffs imaginable.

Do you remember? Of course you do. No human still with a heart would have forgotten that day. The emotions were too strong, like a tidal wave washing over the both of us, a relentless force overwhelming and tumbling and covering over us, and there we were, helpless against the forces of love and lust and desire and peace and power.

I wished it could have been different. Do you? Who am I kidding, of course you do. I know you wished it could have been more like a gentle fade to black, a casual loss of feeling that subsided over months, years, as the perpetual erosion of the hours gradually wore down the blocks we both were putting up as shields to our hearts.

Instead, it was a bomb that went off between us, one that disintegrate those walls and sent shrapnel flying into our hearts, our souls, and tore them to shreds too.

It would have been better if you hadn’t said it, too. If it had just been a thing that I was too scared of, or too weak to face, or too inexperienced to understand.

But when you did, when you said “I love you too,” it destroyed me. IT took me from the place of confidence and assurance that I couldn’t do right by you, couldn’t do enough for you, couldn’t be what you wanted and needed, and that I was fooling myself to think that I could, and It squished that idea through a wormhole the size of the galaxy and shot my thoughts and expectations halfway across the universe.

When I arrived I thought that I knew what I wanted. When I said what had to happen, I thought it was the right thing. When you knew what I wanted to say but wouldn’t let me say it, it confirmed my suspicion of imbalance, of an out of alignment relationship, of the distance not only between our beds but our hearts too.

And yet –

And yet

Why? Why did you say it?

Why did you tell me that? Why couldn’t it have just been my foolish, vulnerable mistake?

And that’s all it would have been, had you not said what you said.

But –

  But …

    But.

You did.

And now I sit here, years having gone by, and the wound occasionally opens once again. A short memory of that day, or the weeks before, or the first date, or how you first smiled at me.

There hasn’t been a day where I haven’t thought of you. I hate that fact and love it at the same time.

Hate that I am still so tied to the past.

Love that I can still feel.

Hate that I haven’t moved on.

Love that I haven’t given up.

Hate that I wish it would have never happened.

Love that I love that it did.

Writing Practice – 2/25/2019

A walk in the woods…

Footsteps crunch on brittle lanes. Pebbles scatter before the toe of my boot, startling and chasing away small creatures of 4 legs or no legs, the brown-and-green-and-yellow of a garter snake just barely registering in my mind before it disappears again into the underbrush. I hear chickadees calling, twit-tweet, twit-tweet, echoed falsely by jays, robins, maybe even a crow or a raven. I walk in my ignorance, knowing names of things, but not essences. I can hear bird songs, identifying that they are different, but I am no ornithologist. I cannot, with any certainty at all tell you which is the robin and which is the cardinal’s song. I can recognize their picture, but everything else is a false front. I know nothing for real; all I list on these walks is impostering.

I cannot tell you the difference between granite, quartz, shale, limestone, other than that they will be found in different layers, exposed as the winding streams have cut mercilessly into their hillsides over the last ten million years. Which must mean, then, that those same hillsides are far older than that, right? Which came first, ended up at the bottom of that pile, and will be exposed last: limestone or igneous rocks? See, I cannot even be sure I have the right kinds and thin categories. I have many facts within my head, but little use of them.

I cannot tell you, again, with any kind of certainty, whether you are looking at an aspen, a maple, or a boxwood cedar. I think I could reasonably tell you which is a birch, and maybe an oak; yet to distinguish an apple tree form a box elder would take much more expertise than I can bring.

It’s not that that I am ignorant. I care. I do. When I am in that environment, active, embedded, I listen to my guides and gurus, I understand what they say, I nod along when they explain how the leaves of this species are identified by the thick veining pattern on the underside of their leaves. I pay close attention as she points out the differences in this bark from that. I strain my hearing and indicate, with a subtle nod, that yes, I do hear the differences between the twoot-twoot-twoot of the whippoorwill and the tip-tip-toop-tip of the nuthatch. I concentrate, hard and expressively, on every word that helps me to differentiate the bluebells from the lady slippers growing beside the path. I am a good student, the best, and I ask insightful, meaningful questions, ones that inspire my guide, impress them with my ability to make connections between fauna and flora, that show I am not only paying attention, but that I care, and I will continue to care in the future, and that perhaps they have convinced another disciple, they have converted another recruit, they have a future bird-watcher or tree-hugger or trail-sustainer in their midst, and all their effort has not gone to waste, that I will come alongside them, and will come along behind them, and I will pick up their convservationist bent, and I will continue their work after they are gone, and I will pass that love and passion on to another and another, and another, and these great resources, these great forests, these trees and trails and pine-needle-strewn meadows, they will never disappear, they will always be with us, they will always remind us of our responsibility to care, to husband, to shepherd the world around us, as our responsibility and our privilege for the privilege of living the blessed life we do.

I will let them believe this, for I am a good person, and, then, I will finish my tour, I will walk out of the woods, I will knock the dust off my boots at the edge of the parking lot, and with that dust will fall my intention, my memory, my insightfulness, my burden to carry on their passion, their love of nature, their desire to see this world thrive for generations, centuries, millennia to come, and I will return to my life, my world, retaining nothing more of my experience than a few more names to add to the list of near-meaningless facts accumulating within my mind.

Writing Practice – 2/18/2019

Describe this man…

This man is confident. He smiles as if he knows he is better than you. He holds his hands together in front of him as if he is pointing at you, to say, “You should be intimidated by me, and because of how handsome I am.”

Yes, he is handsome. His hair is flopped over slightly on his head, short, straight, medium-trimmed. It is not close-cropped, but not hanging past his ears, either. This is a look which has been carefully cultivated. HIs cheek bones stand out from the flush of his cheeks just slightly. His ears fall back tight against his head. They don’t stick out, which would give him an idiotic, imbecilic look.

His shoulder, inside his suit, are proportionate, straight level across, not sloping, not stooped. He holds himself this way and we recognize his power, his alpha qualities. We see in his body that strength of authority. Yet his necktie is slightly askew; slightly off at the little crook beneath his neck. Does this imply he’s a bit lax at times? Or just that he wants to appear “approachable”? Like, “Hey, I’m not really a bad guy, you can talk to me. I promise I’ll listen.”

His eyes, half-closed, suggests a smirk with his lips. These tell me he thinks about me; he wants me to come over and gather round, to hear his tale he is about to tell. He wants to hold this audience in rapt attention for five minutes, ten, fifteen, as the crowd at the cocktail party gradually swells, noting the attention and coming to find out what all the fuss is about. And he knows, too, that his story is thrilling, enthralling, so he continues to speak, to add details, wild and exorbitant that bring his audience even more delight, and as new people glom onto the back, they whisper to one another what’s happening, and they hear similarly whispered responses recapping the tale of adventure so far, how he and his wife were driving one night and picked up a hitchhiker, who turned out to be a billionaire, and they ended up at the billionaire’s home, and now he’s telling how there were thirty people in the pool, all in various states of nakedness, “Oh my, can you imagine, I never,” and he’s got this story down, he’s completely mesmerizing thirty or so guests in this new dinner party, he’s the center of attention, and soon he realizes that he’s pushed the limits of credibility to their furthest ends, any more and even he won’t believe it could have gone like that, and so, with a flourish, with a large loft of his glass to toast the room, he winds up the story with a wild “And, so, my friends, to adventure!” And all their cheers resound through the night, and they all drink toast, Cheers!, and then gradually, and suddenly, and middlingly, they distribute, they disperse themselves back out to rejoin the party, [illegible] a man, this strong, confident, Alpha male, remaining behind with his date, slipping an arm around her waist and pulling her a little tighter, sips and finishes his drink, places the glass on a table behind himself, and leaves, to bask in the gazes of the experience, having once more justified, validated, ensconced himself at the top of the social totem pole once more.

Writing Practice 12/15/2018

Presence vs. Presents

Presents: pretty, shiny, fancy, makes you feel special the first few moments.

Presence – close, comfort, intimacy. Make help encourage you to feel more special for a longer time; Presence lasts. Presents break.

Presents, when done right, are a great thing. Too many times these days, though, presents are a pale attempt to replace presence. And this is a tired critique. Many people have made the same. They say that we are becoming disconnected, losing touch, ignoring presence.

Yes, that is true. But, too, we have become lazy in our presents-giving. We are attempting to find shortcuts to telling people that we care much about them, that we care enough about them to consider their sensibilities, their sensitivities, the things they would enjoy. A gift card is cheap. So is cash. Even a gift card or a cash gift of a thousand dollars is cheap. Because it says you didn’t put any effort into deciding what to get me. It says you bought me my own job. You took a look, and said, “Eh, fuck it, I’m tired of thinking of that asshole. He can do the work for me. Here…” and you shove a stack of bills at me, make me go pick out my own gift. Far from being “the perfect gift!” I find gift cards to be imbecilic, juvenile, and irrational. They counteract the spirit of giving. They ruin presents. if you’re going to give me a “present” of a gift card, please do us both a favor and DON’T.

Instead, give me presence. Come over some afternoon when I didn’t expect it. Bring a six-pack of beer, or a pizza. Tell your friend to take my kids to the mall for an hour, and we’ll just sit and talk. Or make love. Or just watch television. Because we’ll be doing something, together, which is presence, and it would mean much more than generic Presents which are nothing more than abdication in disguise.

Writing Practice 12/12/2018

From Reddit/r/WritingPrompts:

You are a murderer who coats your victims’ bodies in cement and plays them off as realistic human sculptures. One of your “works” just got into a museum…

I’m nervous, I guess. Is that what this is? This feeling of lightness, of electricity in my stomach? The doors will open soon, and then dozens of people will get to see my true skill for the first time. I can’t believe how long it’s taken. Ten years after art school, and, finally, my first gallery show! I’m gonna throw up, maybe. Or it’s just nerves. I can’t tell.

I can see them out there, through the glass doors, congregating. Family, friends, a few old college acquaintances who saw the notice on Facebook or Insta. You know, despite all the hard work, I’m glad it’s taken this long to get here. I wouldn’t be so good an artist as I am today without that development of patience, of skill, of practicing my craft, that took this long. And for that, I’m grateful.

Okay…

Here we go… Doors opening!

The curator welcomes everyone. All of us in this new exhibit, the three artists being displayed here for the first time, are waiting to mingle with our new fans (or those we hope may become fans, at least). Over there is Mindi, who makes sculptures out of discarded books. She re-pulps them and makes them back into tree shapes. And there is Kyle, he’s a visual artist, digital medium, and his things look like kaleidoscopes constantly moving and changing on the half-dozen screens behind him.

I only have the one – Study of Human Figure, Realistic, No. 47. It has been a slog. Personally, I thought I was hitting my stride about No. 30, but it still took a lot more effort to get my name out there in the last three years. No. 47 was quite the willing subject / muse / model. He came for dinner and stayed, perfectly still, just as I needed him to be.

I hear a muttering at my shoulder and turn to find two women discussing No. 47.

“He’s a bit pudgy, don’t you think?” Says one.

“It’s supposed to be realistic,” says the other. “All men look like that these days.”

“I suppose,” says the first, with a resigned sigh and a sip of her win from a plastic cup. “They sure don’t make them like they used to.”

“I wonder how he got such detail with cement,” says the second. It’s obvious they don’t recognize that I could answer their questions, being only two feet away from them. Perhaps the curator should have made some introductions. I make a mental note to remind him for the next opening.

By now, my nerves have dissipated. Men and women have expressed interest in No. 47, have given amateurish critiques of my style and technique, have demonstrated their willingness to be the foppish boors they pretend not to be, and have demonstrated also their incredible pretentiousness they don’t care to hide.

Forty minutes into the show I hear a soft, feminine voice at my elbow. “Excuse me, are you the artist?”

I turn to find a slight woman, mid-thirties, holding the program in one hand, cupping her elbow with the other. She smiles, and I smile back.

“Of course,” I say, and extend my hand. “Bradley, nice to meet you.”

“Anna,” she replies, unholding her elbow to shake. “Pleased.” She turns to admire No. 47 once more. “Impressive. You have quite the grasp of reality.”

I blush. The compliment seems rather sincere coming from her. “Thank you. I admit, though, sometimes my models are not very willing subjects.”

She turns once again and faces me.

“Do you ever seek out new models?”

And now it is my turn to feel empowered. “I do,” I say, and pull out a business card. “I think you’d be perfect. Have you ever considered posing?” She smiles, and tucks the card into her pocket.

”Not me,” she says, and gives me a sly, knowing look. “Perhaps my mother in law would be willing. Shall I tell her to come at eight tomorrow?”

I understand completely. “Seven,” I say. “And have her bring a bottle of wine.” It is now my turn to smile as she winks and turns away. Perhaps, I think, I have found No. 48 much more easily than usual.

Writing Practice – 10/7/2018

Poem a Day Volume 2, p 383 (Dec 16)

Fly envious Time, till thou run out thy race,

Call on the lazy leaden-stepping hours,

Whose speed is but the heavy plummet’s pace;

Run thy own trail, travel thine own path.

Send to the heavens the shout of a many-breasted warrior strong with the ichor of battle. Let forth a barbaric yawp to shake the hills and rattle the cedars. Share not your victory with those who would have nothing to do with the battle but everything to do with sharing the spoils. For why should their reticence be rewarded, and your valor diminished? Why shall your light hide, as if a reflection upon the surface of the moon, instead of shining bring from the sun’s rays?

Strive, then, brothers in this long struggle, and let it be know that you shall no longer rest in humility as a result of the things you have fought for, sweated for, bled for. But these days shall see a resurgence of your manifest adulation. The righteous praise well-deserved flowing from all of the crowd’s lips to over and above and through you. For it is never enough for just one to shower adulation and praise (except that she be the one, yet that remains a different tale for a different time). It is not enough for a single voice, no matter how powerful or authoritative, to say “well done.”

Nay, it is only for the recognition of the crowd that the warrior strives. He seeks not his own glory, but does so to honor his fallen brothers, to eke out, to draw out from those who remained behind, their praise, their worship, their respect, their fear.

For, if they did not fear the powerful, if they did not respect them at least a little, and in practice a bit more than that, if they did not recognize the hidden, camouflaged power waiting within the army’s arms, if they did not acknowledge the real authority beneath the breastplate, if they did not offer a genuine kudos to their true betters, they know that in a few moments, with a turn of a whim or at the insolence of an unruly youth, they, too, might find themselves a new enemy of those who wield the true power. For true power comes not from robe or treaty or birthright. True power comes from a willingness to fight, to truly fight, not simply argue, to fight and take power, to risk one’s own life in the pursuit. That is power. That is authority. And that deserves respect.